Richard Bale, last in the long lineage of Bales of Balisand, and hero of the Revolutionary War, finds his family inheritance of aggression and a short temper coming into conflict with the burgeoning and evolving American political scene.
At its most basic, Baslisand is the story of a man trying to goad a man into a duel so he can kill him. Which does reflect the opinion of one of the novel jurors that it had an “unimportant thesis” and that the “hero is a cad.” Fortunately, the novel is much more than just a story of a man plotting to kill another man. It’s a novel of the early years of America. It’s a novel of one man who finds both the artistic nature of his mother, and the hotheaded, duel-centric nature of his father inside him, often at odds with each other.
Richard Bale, of Balisand, comes from a long lineage of antagonistic duelists in an age when duels are going out of style and duelists are viewed as little more than murderers. He is a hero of the American Revolution, and a Federalist, in an age when war heroes are going out of favor, and Jefferson’s Democratic-Republicans are rising into power. Much like the aging patriarch of Hergesheimer’s Java Head, Richard Bale is a man from a different time, a man who is unable and unwilling to adjust to the changing social climate. According to Hergesheimer, Bale “had neither interest or patience with views which–idiotically–differed from his own.” He’s often contemptible, always argumentative, and does not shy from violence.